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On Art and Aesthetics

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December 29, 2022

Evoking Serenity and Anxiety: “Les Lueurs du Vide” by Mathilde Lestiboudois

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March 6, 2020September 15, 2020

Female Agency, Decolonisation and Suffering: A Talk with Adelaide Damoah and Clémence Vazard (Part I)

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September 15, 2018September 28, 2020

Grainy and Electric: The Analogue Photography of Louis Dazy

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August 22, 2018September 28, 2020

“My Childhood is mostly a Dark Room, a Candle replacing Electricity, loud bomb Sounds, Adults in Panic”: Annie Kurkdjian

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March 25, 2018September 28, 2020

“An Ideological State Apparatus is Really any Sort of System that dumbs down Original Thought”: Anthony White

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November 17, 2017September 29, 2020

“Máze”: Céline Clanet Documents a Sámi Village in the Norwegian Lapland

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October 25, 2017September 29, 2020

The Textures and Tones of Life: Urban Paintings by Douglas Gray

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October 10, 2017September 29, 2020

On the Burdens and Blessings of New Beginnings: “Salt Houses” by Hala Alyan

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September 5, 2017September 30, 2020

How Technology Sucks our Attention, Alienates and Extends Us: Antoine Geiger’s “Sur-Fake”

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