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On Art and Aesthetics

Publication + Consultancy. Championing creative talent before a mass audience. Passionately global.

Author: Tulika Bahadur

India-born, London-educated, business base in Sydney, global network. Always happy to travel. Say hello if you are a reader! Send all commercial enquiries regarding introduction to the art world, content creation, curatorship, educational/speaking engagements, art/artist/cultural involvement for your business/organisation, art buying/commissioning, building a collection, brand collaborations with artists, entrepreneurship in art and culture, using art and beauty for well-being, and cultural experiences, events and tours to tulika@onartandaesthetics.com (DON'T FORGET TO CC: tulikabahadur@gmail.com). Please introduce yourself before forwarding press releases and newsletters. I will especially remember you! IG: @tulikabahadur (personal) & @connoisseurscircle (social club).
Aug 11, 2017Apr 12, 2021

“The Lady and the Unicorn”: Franco-Flemish Tapestries on Desire and the Senses (c.1500)

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Aug 11, 2017Sep 30, 2020

Proposing an Environmental Discussion: The Water Murals of Sean Yoro “Hula”

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Aug 9, 2017Sep 30, 2020

Home, an Illusion; in Illusion, Home: Borislav Pekić’s Masterful Book on Arsénie the Landlord

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Aug 9, 2017Sep 30, 2020

Bucolic Scenes inside Vintage Trunks: The “Traveling Landscapes” of Kathleen Vance

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Aug 9, 2017Sep 30, 2020

A Cosmology of Light: The Vision of Robert Grosseteste (c.1170-1253), Bishop of Lincoln

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Aug 9, 2017Sep 30, 2020

Inspired by Floriography: “Opulence” Series by Caz Novak

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Aug 9, 2017Sep 30, 2020

“Worldviews: Ritual -1983-2006”: David Katzenstein Captures the Beliefs and Practices of Diverse Cultures

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Aug 7, 2017Sep 30, 2020

Realising the Alchemy of Colour: Portraits by George Sabin

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Aug 7, 2017Sep 30, 2020

Signs of Excessive and Fatal Speed: Lucas Zimmermann’s “Scars”

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