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On Art and Aesthetics

Publication + Consultancy. Championing creative talent before a mass audience. Passionately global.

Author: Tulika Bahadur

India-born, London-educated, business base in Sydney, global network. Always happy to travel. Say hello if you are a reader! Send all commercial enquiries regarding introduction to the art world, content creation, curatorship, educational/speaking engagements, art/artist/cultural involvement for your business/organisation, art buying/commissioning, building a collection, brand collaborations with artists, entrepreneurship in art and culture, using art and beauty for well-being, and cultural experiences, events and tours to tulika@onartandaesthetics.com (DON'T FORGET TO CC: tulikabahadur@gmail.com). Please introduce yourself before forwarding press releases and newsletters. I will especially remember you! IG: @tulikabahadur (personal) & @connoisseurscircle (social club).
Aug 30, 2017Sep 30, 2020

Natural Disasters, the Destruction of Heritage: Installations by James Gilbert

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Aug 29, 2017Sep 30, 2020

Both a Photograph and a Painting: Still Life Arrangements and Portraits by Tineke Stoffels

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Aug 26, 2017Sep 30, 2020

Steve Sabella’s “In Exile” and “Metamorphosis”: From Alienation to Transformation

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Aug 25, 2017Sep 30, 2020

“First came the Temple, then the City?”: The Fascinating Site of Göbekli Tepe

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Aug 24, 2017Sep 30, 2020

“Look” by Solmaz Sharif: Moving Meditations on War, Migration, Loss and Language

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Aug 22, 2017Sep 30, 2020

“Dante Cinema”, “Villa Venezia”: The Frozen City of Asmara by Jean Robert

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Aug 22, 2017Sep 30, 2020

“The World was Turned Upside Down”: Feasts of Fools, Lords of Misrule

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Aug 22, 2017Sep 30, 2020

Youth, Popular Culture and Fragility: Portraits by Rauha Mäkilä

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Aug 21, 2017Sep 30, 2020

A Tenacious and Humorous Search for Plans and Patterns: Erlend Loe’s “Naïve. Super”

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