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On Art and Aesthetics

Publication + Consultancy. Championing creative talent before a mass audience. Passionately global.

Author: Tulika Bahadur

India-born, London-educated, business base in Sydney, global network. Always happy to travel. Say hello if you are a reader! Send all commercial enquiries regarding introduction to the art world, content creation, curatorship, educational/speaking engagements, art/artist/cultural involvement for your business/organisation, art buying/commissioning, building a collection, brand collaborations with artists, entrepreneurship in art and culture, using art and beauty for well-being, and cultural experiences, events and tours to tulika@onartandaesthetics.com (DON'T FORGET TO CC: tulikabahadur@gmail.com). Please introduce yourself before forwarding press releases and newsletters. I will especially remember you! IG: @tulikabahadur (personal) & @connoisseurscircle (social club).
Feb 11, 2020Sep 24, 2020

Reconciling the Mythical and Technological: A Changing India by Jagannath Panda

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Feb 10, 2020Mar 23, 2021

“Becca and her Children”: John Abell Illustrates Welsh Riots of 1839-43

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Feb 7, 2020Sep 28, 2020

“Carry a Song / Disrupt an Anthem”: Nicholas Galanin on Indigenous Identities and Contemporary Conditions

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Jan 31, 2020Sep 28, 2020

Eddy Kamuanga Ilunga: Coltan, Culture and the Complex History of the DRC

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Jan 21, 2020Sep 28, 2020

World at its Tipping Point: “Songs in the Dark”, Tanya Bonakdar Gallery, NYC

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Jan 19, 2020Sep 28, 2020

Raw, Imperfect and Full of Possibility: “Doors, NYC” by Roy Colmer at Lisson Gallery

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Jan 13, 2020Sep 28, 2020

“Theater of Operations: The Gulf Wars 1991-2011”: Responses to American Military Engagement in Iraq

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Jan 11, 2020Sep 28, 2020

Mary Sibande: Telling a Different Story of Labour, Race and Gender in South Africa

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Jan 10, 2020Sep 28, 2020

Queer Boy and Brown Immigrant: “I Know a Place” by Salman Toor

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